15 Jan 2021

LISZT: Petrarch Sonnet 123, from Years of Pilgrimage Book II, Italy

From Music Alive, 8:06 pm on 15 January 2021

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Pianist Tony Yan Tong Chen

Pianist Tony Yan Tong Chen Photo: Supplied

Tony Chen is Auckland-born and his teachers here include Jian Liu, Bryan Sayer and Rae de Lisle.

Currently (2020) he’s a student at the Eastman School of Music in New York. He’s supported by Professor Jack Richards and has performed at festivals in Canada, Switzerland and Spain.

Franz Liszt wrote three collections of pieces for piano which he called “Years of Pilgrimage”, inspired, as we might expect, by his experiences while travelling. He wrote about them...

“Having recently travelled to many new countries, through different settings and places consecrated by history and poetry; having felt that the phenomena of nature and their attendant sights did not pass before my eyes as pointless images but stirred deep emotions in my soul, and that between us a vague but immediate relationship had established itself, an undefined but real rapport, an inexplicable but undeniable communication, I have tried to portray in music a few of my strongest sensations and most lively impressions.”

The three Petrarch Sonnets in this collection are piano-only versions of three songs Liszt had written – settings of poems by the great 14th century writer.

Sonnet 123

On earth reveal'd the beauties of the skies,
Angelic features, it was mine to hail;
Features, which wake my mingled joy and wail,
While all besides like dreams or shadows flies.
And fill'd with tears I saw those two bright eyes,
Which oft have turn'd the sun with envy pale;
And from those lips I heard—oh! such a tale,
As might awake brute Nature's sympathies!
Wit, pity, excellence, and grief, and love
With blended plaint so sweet a concert made,
As ne'er was given to mortal ear to prove:
And heaven itself such mute attention paid,
That not a breath disturb'd the listening grove—
Even æther's wildest gales the tuneful charm obey'd.

Recorded in the Lewis Eady Showroom, Auckland, 3 October 2020
Engineer/Producer: Tim Dodd